Friday, 7 December 2012

The rule of three, SAVE ME!!!

In general, when one layer is in harmony the other layers are in unison or octaves. This is because a chordal texture is full, and so too many harmonized sections would not only risk clashing but also risk becoming very murky and too thick.
Strength comes from dynamic markings and using more instruments to support an element, not by having every instrument do something different.

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