“Listen, we have all heard men being called a certain female body part when they cry. And we all know the real power of that body part; talk about a multitasker! Emotional vulnerability takes bravery. Great male leaders through the ages have understood this.”
Thursday, 25 May 2017
Saturday, 29 April 2017
“I mean, I was never a depressed person,” he says. “I've always been basically optimistic. I see great beauty in the world. You know, I look around and it's a fucking awesome beautiful place. That's how I've always felt. I'm not saying this is some kind of thing at the moment—I've always looked at the world in that way.… Writing is basically an act of love, and a kind of joyful thing to do. That quickening of the heart that comes when you're onto something. I mean, I get all kind of shaky and stuff like that. It's an immensely positive act, nothing to do with sadness or depression or any of these sorts of things, no matter what you're writing about.”
Thursday, 6 April 2017
...climbing rocks in Central Park, she recalled the “shanty hut” on a raw Canadian island where she spends weeks during the summer, isolated and without electricity.
“Being on that island, I found really concrete poetry,” Feist said, comparing her moods to the storms that passed over the exposed landscape. “I could see it coming, I would experience it, and then it would be gone.”
Friday, 10 March 2017
grickam nokte i za tobom žudim htjela bih poprilično da s tobom danas bludim noć je ova tako lijepa a u meni silna zbrka kada krene naša frka otkrila sam travku u šipražju otkrila sam sebe u metežu otkrila sam lice i suzicu otkrila sam ljubav i guzicu slušala sam uobičajene pizdarije pa radije znam pobrojati zvijezde koje se gnijezde gore iznad oblaka što hitro nailaze
originalna izvedba: Zdenka Kovačiček
autor teksta: Slavica Maras
autor glazbe: Kire Mitrev
cover design: Dalibor Barić
typography: Anita Celić CELLA
Saturday, 4 March 2017
I find it difficult to pluck up the courage to speak out about the political climate, and I find it equally troubling to stay silent. I realize that in reality all I really do is make pretty whimsical pop music, but I do that to the best of my ability. I try to invest this music with emotion and humanity and hope that that effort comes across to the listener. Pop music isn’t much to believe in, particularly at a frightening moment in our history, but I feel that it has some importance nonetheless.